after their contribution to far & beyond compilation, owen jay & melchior sultana get back to deep explorer finally with a full ep, where they combine different styles in just 4 tracks. deep instrumental, vocals and even electro vibes.everything under the smooth shield of the batti batti team. the circle is completed by the remix of make me feel (the track that opened the doors of deep explorer to the batti batti family) by the legendary mike grant (moods & grooves)

more analog machine music hot off the tape from glasgow s green door recording studio. sordid sound system has recorded and mixed the likes of golden teacher, the amazing snakeheads, whilst, and the junto club, and this debut ep is the product of late night after hours recording sessions utilising the studio s tascam ms16 tape machine, a korg ms10 and a rusty roland space echo amongst other obscure electronic toys and gadgets.

released in 1997, this stunning ep from kerri chandler is considered by many to be the best of his raw grooves series and maybe even his best work of the late 1990 s. ladbroke grove and what about us are the classics here while dub music and can t you see tread into darker minimal chandler territory. out of print since 2001, this is another slab of large music essential wax for every serious collector.

wilde calm records is honoured to present the final project with the late elodie lauten, a new version of the spiritual club classic in the light of the miracle. the original version was co-written by fellow downtown luminary arthur russell in the early 1980s and appeared on his posthumous 1994 album another thought. numerous club friendly remixes of in the light. were released as promotional white labels in the 1990s and helped bring this amazing proto-house song to the dance floor.

master c & j (carl bias & jesse jones) along with vocalist liz torres are counted among the most influencial artists to rise out of the mid/late eighties chicago house music scene. known for their singularly darkly sensuous and skeletal sound, their tracks captured and defined the late night, underground dancefloor experience rhythm, sweat, sex. originally released in 1987, face it is a deep moody chicago house all time classic. containing all 3 original mixes, face it has been re released and re mastered for 2015 on conjunction with trax records.

absence seizure is a new limited edition vinyl nyc imprint. brought to you by nyc’s own matuss and abe duque. this ep includes four beautiful late night tracks, deep and hypnotic, with a bit of dark funky spice. musical art combined with one of a kind rorschach artwork by anastasia podolskaya. deep techno, soulful minimal, shallow house, mesmerizing music, absence seizure!

ltd to 300 copies , vinyl only release...
after successfully establishing his own dub techno sound with numerous remixes on the late, house veteran alexkid drops the first release on his vinyl imprint. dry beats with lush echoes drive this ep, as expected from the artist.
early support from enzo siragusa, tini, martinez, bella sarris, molly…

nach releases auf kompakt, glasgow underground und distance und beiträgen für kultserien wie café del mar und buddha bar erscheint das neue album des griechischen produzenten und neu berliners mikael delta auf inner ear. life is now ist eine neuromantische klanglandlandschaft aus minimalem piano, klassisch schönen string arrangements und soften synthesizerbeats. dreamy electronic listening für die herbst-/wintersaison.

damian lazarus signs another classic from the enigmatic drumtalk, a revered producer who brings in the sublime singing talents of josa peit, signed to brandt brauer frick’s label for the invigorating and anthemic lose again. championed by gilles peterson, seth troxler, midland & huxley of late and attracting a large, loyal and diverse following from james holden and skream, wildcard shows drumtalks sinister sneer, a techno weapon shooting to kill. gamma makes playful experiments with sounds to great effect, a unique and eloquent record that sways with grace.

first release on light body works is by king cheetah. 3 tracks inspired from techno vinyl digging in the late 90s!

the album from 1977 re-issued in a heavy weight 180gram vinyl edition in its original cover. the split lp *clash* is a classic in the deejay genre and features two of the most prominent artists of late 70ies reggae, dillinger (born lester bullock) and trinity (born wade barmmer). re-launch of the classic uk reggae label burning sounds.

from deep within the shadows, grant steps out with his debut album *the acrobat* on enigmatic label the lauren bacall. lush atmospherics lift up each of the high-flying tracks on *the acrobat*, crafting a sense of euphoria and ease that is reminiscent of such deep house from late 90s early 2000 inspired by labels such as early plastic city, deep4life, and svek.

buddahs sound will immediately transcend your subconscious to detroit while providing constant nods to its roots in the streets of south africa. the result is a celestial passage through waves of minor chords, raw lo-fi percussion and emotional callings. fred buddah will no doubt leave an impression on those yearning for meaningful, late-night deep house.

more abstract, forward thinking house music courtesy of transatlantyk. mondo hehe is the fifth ep in a growing catalogue of the label and is one of its most adventurous offerings yet. lutto lento (real name lubomir grzelak) is an experimental musician from warsaw, poland, who specialises in dark, spooky, uneasy music that s hard to categorise. apart from running two experimental cassette only labels (sangoplasmo and dunno recordings), lutto lento records music for contemporary theatre and forward thinking european labels like ftd and where to now? he is equally inspired by avant-garde and surreal sounds from the bygone eras as well as raw house and techno music of today. his music tends to absorb the listener into a parallel, imaginary world, where sounds of a lamenting cry of a trumpet (b2) and a voice counting numbers on top of the rolling exotica style bongos (a2) are as important as jacking chicago house drums (b1) and energetic basslines (a3). from the jumping beats of the title track, to the late night deep roller casino , the * mondo hehe ep* is a superb collection of non-generic house music that sounds as good at a club, as it does at home.

(2x180g gold colored vinyl + dl code) charmer is the debut artist album from claptone. in the last few years, claptone has become known for releasing big tracks primed for late nights and packed clubs all over the world.

late october will find cosmin trgs fizic label release its third ep, and a second missive for 2015. once again it comes from the romanian label owner and ever evolving producer, and this time features four more fierce cuts that take abstract inspiration from musique concrete or ballards high rise novel. opener sever is an expertly stripped back bit of concrete basement funk with scurrying alien sounds, frosted lo-fi textures and firmly rooted, propulsive kick drums driving the whole thing along.

youth stand up! is a collaborative recording project between glasgows green door studio, lebeha drumming center in hopkins, belize, and the tafi cultural institute based in tafi atome, ghana. the results of the collaboration are this nine track album released on autonomous africa. all proceeds from the youth stand up! album sales will be split between tuteme band, belize and tafi cultural institute’s fund to build their recording studio and cultural centre. there will be two 12inches released in late 2015 / early 2016 featuring remixes of tracks from the album by jd twitch, midland, auntie flo and hodge. the 12inches will eau also include an additional bonus track recorded at the original sessions.

jack cutter is a songwriter and guitarist based in the san francisco bay area in california. he started with a $5 banjo just after finishing high school. in university, during the late 60’s, he performed with bar bands in buffalo, new york. after completing university and a year as an aerospace engineer, he decided that attack helicopters were not really what the world needed and so he headed off to california in pursuit of music and mystic times. fast forward to fall 2014: jack is playing his quintessential tune, ‘gift of our fathers’ in the sf bart subway to an onslaught of morning commuters when he was spotted by 40 thieves. eureka! love at first sight and in the next few months, two of jack’s original acoustic pieces were given the 40 thieves treatment. enter david sanderson aka david harks, a singer, songwriter, producer and label curator from the east sussex region of the uk. ‘having fallen in love with the cosmic boogie (of 40 thieves classic ‘backward love’) i really felt i would love nothing more than to write a tune with them. layne got back in touch with a track he was working on entitled serpent strut with jack cutter and we worked via email over a few months to brew up that misty soul.’ deep, stony, psychedelic, drawing from the well of hawkwind, joni mitchell, david crosby, baffo banfi and tolkien-tinged acoustic led zep, the proof of concept is now complete and in the capable and loving hands of claremont 56.

music for dreams are extremely proud to announce the first-ever vinyl release of *cantoma*, the debut album from legendary café del mar dj and collector extraordinaire, phil mison aka cantoma. left, right and center, phil has been one of the key players in the chill out/balearic scene and today is more in- demand than ever playing festivals and clubs all over europe - recent gigs include playing dj harveys birthday bash at pikes in ibiza and alongside nyc icon justin strauss. his first album, the self-titled cantoma, was originally released back in 2003 and quickly become a modern chill out classic selling over 15.000 copies with tracks featured on more than 150 compilations and supported by quality djs such as ross allen, idjut boys, moonboots, harvey and many many more. triple vinyl release limited edition to 300 copies.

vent adds yet again new sonic influences to its palette, this time owing thanks to its main curator tolga baklacioglu. with this release, we are pleased to add more than just a sprinkle of industrial and ebm influences to the catalogue of records we are proud to say is the sound of vent. to make things even better, one of more interesting techno producers as of late, and also sweden’s favourite son - daniel andréasson - wanted to lend us a hand to really bring the point home with this record. laden heavy with distortion, this release goes further than one can call the lofi sound - instead the thought is taken to its logical conclusion: distortion is as much an element in its own right as time, space and velocity.

als wäre gestern schon morgen: willkommen in der retrofuturistischen welt von esb aka elektronische staubband, dem analogen synthesizer-projekt von lionel laquerrière, thomas poli und yann tiersen. die vinyl-lp erscheint inklusive cd.

after making a great impression with its first ep, giant records serves up a second hot helping of house music from boss man grant dell, complete with fresh remixes by scottish techno stalwarts silicone soul. dell, also known as chicago transit authority, has been doing his do for 25 years now. as a dj he is at home in clubs in ibiza and barcelona as well as around the rest of europe, and is someone who always prefers to push his own brand of widely infused and influenced music than his own profile. once again here he comes up trumps with the emotive, glowing house cut ‘in your mind’. with a neat bassline and mid tempo house drums, subtle but effective synth smears add warmth and colour to the groove, whilst soul fuelled vocals add a real sense of personality. this is sure to get people grooving at any hour and comes with grant’s own space echo remix. as the title suggests it’s a more dubby and reverb rich affair with cosmic signifiers and sci-fi vibes pervading from start to finish. silicone soul need little introduction having been at the heart of real deep house and techno for decades on the soma label. their first remix is a darkroom dub - named after their own label - and is a seductively slo-mo and lazily unfolding house cut with languid synths that really suck you in. their lush hypnohouse mix is then a twinkling, late night bit of melodically rich deep house with starry skies twinkling above sombre chords. this is a patiently served but hugely alluring ep that is stuffed with plenty of tender feeling. one again then, both grant and giant have come up with the goods.

although still relatively young, matt star started his career in the late nineties followed by his first vinyl release in 2006. his music has since appeared on the likes of hypercolour, cocoon, repeat music, rawax and many more. following an appearance on the label as part of our latest mix cd (leftback vol.1) matt now joins the leftback roster for his first full ep on the label accompanied by a remix by label heads michael mclardy & dudley strangeways

iyewaye, oliver koletzkis first release after the autobiographical i am ok album, introduced a new facet of the artist’s sound. the ep catered to a darker and more raw aesthetic, a direction followed and deepened by the four remixes. first up is the title track iyewaye, turned into a lengthy tech infused introspection by hatzler. loosely centered around the initial vocals, loco & jams makeover explores the tracks captivating snappy narrative. the more rhythm focused ipuza gets a special treatment from hidden empire who dial up the aggression of the percussion. zakari & blange downplay the tracks initial exotic elements, focusing on the rattling synths and giving it a late-night dancefloor rework.

the 3rd mode of expression release includes fresh cut s from kashawar & paul walter. two original tracks and a collab work together, a selection of perfekt tunes for the late summer moments. as usuall selfprinted cover and 180gr vinyl.

limited 2015 repress ... max 1 per customer
after a 2 year break paranoid london return to show the johnny come latelys how to do acid house. proper late night, bass driven machine music featuring the mysterious mulato pintado on vocals. we played this to our mate who said: >it aint clever, but it fuckin works!< the music is all analogue using two machines: 808 & 303! nice & simple. once again we press on 180g vinyl, no downloads, no cds, no promos! no bull shit! just some proper acid tracks done the right way!

we dig deep into trax s vaults to unearth some unreleased super rare versions of some trax classics. vol. 1 contains two ron hardy reel to reel edit s of jamie principle & frankie knuckles classics -bad boy- and -baby wants to ride-. very different to the final released versions these are personal edits ron made to play at the music box, chicago in the mid-late 80 s. released in conjunction with trax 2015.

excellent debut ep from paradisica with warm night balearic dance vibes across all 4 tracks. a side, beautiful romantic dance grooves for the sunset hour. the flip amore brings a sexy and upbeat late 80s house vibe with a driving pete herbert mix to keep the party going strong

established producer d marc cantu has been crafting his own style of jakbeat since the late 90s, but comes to nyh with some dark and experimental techno and drones.

2015 pressing , clear vinyl
one of the best house tracks from aaron carl. new emotional deephouse remixes, part 2 by xdb of late night deep house music classic! produced by aaron carl in 1996 for mike banks (underground resistance) detroit house label soul city. you cannot miss this release. will work on every dancefloor!

key dj support: james ruskin, benjamin damage, perc, tlr, orde meikle/slam, iron curtis, marco zenker, dario zenker, lo shea, rsd, the organ grinder, john heckle, space dimension controller, benji b, randomer, dj deep, dexter, laurent garnier, altered natives, norman nodge, trickski, boys noize, vincent neumann milos has been causing quite a stir of late with his limited handstamped msr & milos recordings projects, gaining support from key players including ben sims, gez varley (lfo), and colin dale. now we look forward to receptive visions, a label focused on no bullsh*t, real dancefloor techno. kicking off with the euphoric yet raw -reconery flight-, razor sharp hats, and massive drops pave the way for gauranteed dancefloor response! flip for -away days-, heads straight down, with a distinct gnarled, ragged intensity and thick pulsating grooves! one to watch!

very limited 2015 repress: we will spread orders out fairly amongst customers big doint is that late night burger, the meat between your two buns, however you like it. lather it up, spill your beans, drop down looooow while youre feeling high. this is the feeling. big doint is sister label of untzz twelve inch. fio is francis inferno orchestra, bd is big doint (hvck & babicka - untzz label heads) and mm is mic mills. this hot slab of wax has already been receiving attention from axel boman, red rack em, kolours, carter bros and bicep, and take not that it is indeed limited!

the vinyl factory is proud to present an 18-track vinyl edition of µ20, spread across three 12inch records. for a label thats existed in an orbit of its own, on very independent terms, its remarkable that planet mu has survived 20 years. pushing buttons from idm and breakcore to dubstep and grime, and lately footwork, mike paradinas’ (µ-zip) label has a strong history of joining the dots betweens genres by supporting idiosyncratic artists from label stalwart venetian snares to kuedo, machinedrum, boxcutter, vexd, falty dl, luke vibert, ital, jlin and mr. mitch to name just a few. µ20 is a living document of that history. a colourful and adventurous ride across the roster, the compilation features contributions from the current decade as well as some of the old guard, dipping back to the late nineties and early 2000s for a range of noisier, knottier track

"you wake from sleep, the door closes by itself and the walls run with slime and rain. a shadow moves, almost familiar, welcoming and simultaniously intimidating. the candle flickers and snuffs out. a noise. your torch is dying. something takes your hand. long fingernails and old skin. you mark the floor, chant the incantation. together. in the first of our split series we present two modern artists who’s imaginations know no limit. abstract drones, anchient machinery, neon cities within the shadow of the overfiend. heading up side a is the legendary cristoph de babalon, whose work in the late 90s on digital hardcore and his own cfet proved to be some of the most unique and timeless of the period. seperated by european boarders, the reigns are taken by triames, cutting the rhythms to explore techno as a more abstract concept, beautifully detailed work in between lustmord and emptyset. giallo disco is proud to present ‘invocation of the demon twin vol. 1&#8242; possibly the most sinister and atmospheric release to date, and also one of our most special. art by eric lee."

allnite music is back with vinyl only gems. we are glad to provide you diversity from early hour deep/dubby moods to dance floor heaters. texture & groove 4those who know.

finale sessions is excited about this reease and we are greatfull to bring you natan h hailing fro the city of angels natan has this energy that we at finale sessions as of late have not been able to find so as you know we are estatic to get this out to the masses and give you a little taste of what is going on out on the left coast

as well as being a resident at moscow s denis simachev bar, leonid lipelis has been slowly making a name for himself as a producer for some time. there s a whole raft of lipelis remixes for the nu-disco set dating back to 2006, but it feels like the russian producer has stepped up his game of late. inbetween some killer edits for lies and an upcoming public possession 12- as tmo, lipelis dons his beard in dust guise for the latest release from the mysterious bahnsteig 23 label. if you were a fan of that aforementioned lies release or any previous bah 12 its highly likely you will dig the four cuts here with lipelis drawing for some obscure sources with eminently danceable results.

shake the mind encapsulates the sound of clouded vision recordings, with a long awaited single from matt walsh, backed with a remix from daniel avery. alongside the radio edit, the title track is a 7-minute trip of late night acidic techno, with a nod to matts new wave and ebm influences. the double a-sided vinyl is completed with a pounding slice of atmospheric techno and the first new piece of music from daniel avery, since the release of his critically acclaimed album, drone logic last year. dan returns the remix-favour to close friend matt after his version of free floating appeared on the drone logic remix album new energy earlier this year.

the rise of azimute continues, after a their killer debut on crosstown rebels, an appearance on john digweeds live in toronto and much received hype with their new vinyl only label, azimute music. we are the sound ep is a full on journey into the unique sound of azimute. the first track on the ep is taken from the title, it features the vocals of rocky washington who has worked with the likes of snoop dog & jay z. the track has infectious percussion from the start and rolls effortlessly through, azimute s signature sound takes control as rocky s vocals complete the journey, a definite late night anthem for sure. next up is laterra, this true hypnotic and percussive piece is built for the main room and is certain to cause damage. on the flip side of the vinyl we have -under control-, its a stripped out eerie yet beautiful piece of techno which builds and builds, certainly one for berghains main room. finally we have the track entitled -way back-, another late night techno roller, with clever guitar stabs and a clean sound scape layer that draws you in as the record play

another bunch of successful edits on the unstoppable tvpc label. it s fourth sampler (and already a seventh record in label history) covers a wide array of exceptional gems, spanning from balearic pop, through electro disco, to slavic soul and disco funk. all tracks come from the late 70s and early 80s poland and were carefully reworked by some of the finest young producers from the country, keen to pay homage to their musical roots.

format lp vinyl - limited edition + poster following the much-acclaimed bcompilation, french dj duo jess & crabbe return to curate a second collection under the bazzerk banner, exploring a criminally unknown dance scene. changa tuki classics takes us on an exhilarating trip to a venezuelan underground electronic scene. defining changa tuki as a genre is tricky, the respective meanings of the words themselves is a mystery yet to be elucidated. changa emerged in the late 80’s as a the word to describe all strands of hard-hitting electronic music, to this day it remains the one popular term applied to all forms of house or techno.

me & her are back featuring billie fountains vocals with their new lost ep. the title track, highlighted by wavy sounds combined with shakers and rainy percussion, turns into a sphere of late-released bass and a melodic-melancholic vocal that takes the soul down to dusty places.

the ep in series offering up late 90s early 2000 previsously unreleased deep house tracks from sf

uk techno founders b12 return! the duos history famously started in the early 90s with their music appearing under a plethora of monikers under the b12 records umbrella - 12 inch vinyl with notorious cryptic messages engraved in the run-out grooves, before being collected into album form and release on warp. after a hiatus in the late 90s, the pair resurfaced briefly for some live shows, a flurry of hugely sought-after 12 inches and a 7-part cd anthology. they then abruptly disappeared again - this is their first appearance in 5 years, fittingly on glaswegian imprint soma. (their seminal warp records album was named electro soma...is there a connection?)

special vinyl alert! 2 amazingly warm and mysterious deep analog detroit & chicago tracks. both produced in the late 80 s and recently discovered from unknown artist s, for fans of derrick may, larry heard etc.. limited hand stamped copies.

we welcome back subjected for his debut ep on sleaze records! the berlin based artist has been on fine form of late, releasing on esteemed techno labels like electric deluxe, polegroup and of course his own vault series imprint. this is subjected at his best, featuring 3 quality original tracks and a great remix by new scottish talent deepbass.

this is a tape! six dubbed out techno cuts for a mystic and adventurous field trip to the ancestors of late-nineties dub techno. what happened remains uncertain ...cassette, ltd. ed. of 100, full-colored 3-panel j-card, mastered by manes salz, cologne.

the kachiri remix ep features a varied selection from some of the finest. kicking off with tronik youth who takes the title track and reboots into a harder darker groove, pushing the synths to breaking point. man power ignites a fire on the dancefloor with real bass and spacey chords. ivan smagghe creates an off kilter eclectic groove with a different energy. jamie patton dubs out pink ghost with a twisted and warped groove that takes it to a new cosmos. whilst, kasper bjorke takes us down to the sea with his love vibes and tropical rework of volupia. craig bratley adds his dark synths and toughened grooves for late night dance floors. two mamarrachos lead us on an epic 11 minute journey with their massive pink ghost funk groove.

new to the stay underground it pays gang, the eighth release on the label comes from none other than octo octa! you know him from his prolific run on 100% silk, and more recently for his ep on gerd jansons running back label at the top of the year. the man from brooklyn serves up 4 slices of that u.s. experimental house sound we love so much. on the a side, we have two versions of octo octa’s melancholic title track, requiem for the body. both as good as the other, it’s gonna be split for a lot of listeners on which is better. while both versions share certain elements, the second plays down the long keys of the first versions in favour of some stabby chord patterns. either way, proper 4 a.m. business!on the flip, we get a bit more ethereal with times two (loose version). simple yet effective, this one has a lot of atmosphere with those delayed vocal cuts over that late 80s bassline. closing out the record is when home. this one is a bit of a stomper at first until it brings in the lighter synth elements halfway through. someone, somewhere will have an epiphany listening to this track. if its you reading this, send in the results on the back of a postcard. all in all, another killer release that feels straight at home in the stay underground it pays catalogue